Austin P. Smith

Austin Smith was born and raised in Camden, a small town in mid-coast Maine. In the fall of 2003 he began studying at Bennington College, a small, liberal arts college in Vermont. It was here where he began learning about ceramic art. Austin’s interest in creating is likely attributed to growing up in a very artistic community, as well as a family full of craftsmen and artists alike. His particular fascination with clay and ceramics could have stemmed from his father’s extensive background in masonry. Austin graduated from Bennington in June 2007 with a Bachelor of Arts degree in visual arts.

Statement

As a ceramist I am constantly excited about the endless possibilities the material has to offer. From earth, water, and fire, a beauteous object is born; possessing the ability to improve the quality of everyday activity while remaining impervious to the tests of time. I make pots that can possess sculptural and decorative elements, yet always maintain a utilitarian design and function. Directly aware of the sensuous conditions of surface and weight, I intend for each use to be pleasurable.

Each idea is executed using the highest possible skill and craftsmanship. Process and material are essential. Porcelain is my first choice in clay, for its distinct translucency, purity, and superior ability to reveal colored glaze. Celadon style glazes are an important part of my aesthetic. My attraction to this glaze lies in its seductive elegance, as well as in its rich history. Although I often use the potter’s wheel, mold making and slip casting are my primary means of fabrication. The repetition that results from the use of plaster molds strengthens the integration of forms as well as the overall quality and appearance. The ability to make multiples is advantageous to both the conceptual and functional value of the finished work. A mix of traditional sculpting techniques and industrial ceramic production processes yields a uniquely refined result.